­…or else music for the citizens of metropolises

At the beginning there was the local, underground electronic music of Jamaica and the Carribean which around the 1990s entered the realm of mainstream music after passing through Bronx, Detroit and Chicago. This music trip that started around the middle of 1970s, in the decade of the 90s through various DJs, took different forms such as rave, techno, psychedelic trance, downtempo and many more. A different version of those genres, more melodic and enriched with elements from all of them, has emerged during the last few years, IDM or else Intelligent Dance Music. The audience of IDM music is wider, appreciates the spirituality of this music and has different characteristics th33_textan the audience of e.g. trance music. Responding to this growing number of IDM bands and to the appreciation of this music, since 2007, Tympanik Audio has embraced most of the musicians of this style by releasing some of their albums. Gigs of IDM musicians are rare therefore fans of this music style would rarely miss the opportunity to attend a show by any of the artists. IDM music is a rather lonely and personal endeavour with most bands being comprised of one or two members. Gigs by IDM music bands tend to create unique experiences as almost all of the bands, are inspired by the ambience of everyday stimuli which they translate to a complex yet very interesting soundscape and a lot of bands complement their music with visuals. By listening to IDM music one accesses multiple fields of consciousness that lead to different and personal spiritual universes.

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After the release of their best album to date ‘Alkimia‘ and just before their forthcoming live appearance at the Wave Gotik Treffen in Leipzig, Agent Side Grinder performed live at The Lexington on May 20, Logo interview2015. This interview took place after this mindblowing live appearance of Agent Side Grinder. Johan Lange (JL) and Kristoffer Grip(KG) took the time to discuss with Blauerosen about their music, the past and the future of electro/synth/experimental music, art and many more!

 


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­­BRecord Store Daylauerosen is not usually covering live gigs in other countries unless they are special appearances or important festivals. This time it was Record Store Day that brought together the Dresden Dolls for a special one off live appearance at Rough Trade in Brooklyn and ‘patreon’ that made it possible for people outside America but also for those that couldn’t be present at Rough Trade, to participate in this event. But let’s take things from the beginning.

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9

Four years have passed since the release of ‘Chirality’ the latest full length album by Frozen Autumn in 2011 while in 2014 the band released a 12” EP call23ed ‘Lie In Wait’ in 500 numbered copies. This EP is, I suppose, a ‘teaser’ for their next upcoming album and it sounds like it’s going to be yet another great one! It’s been almost ten years since the last time I saw the band perform live. In the meantime, the darkwave scene that was flourishing at the end of 1990s and the beginning of 2000 is facing a crisis especially because the pioneers of the genre release albums which are not equally appealing as in the past not to mention that the releases are less frequent. Some might think that this music style is limited and doesn’t have much more to offer but bands such as The Frozen Autumn mean to prove people wrong as Diego Merletto and Froxeanne seem to know very well that good music transcends temporary music trends and is appreciated even more as time passes.

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Carter Tutti plays the ‘final’ live show of Chris&Cosey at Heaven

Before saying anything more about this gig I have to admit that even though I had every intention in the world to attend this last (as I realized) gig of Chris& Cosey at club Heaven, I didn’t have the necessary decisiveness to book a ticket on time! So it was due to a happy and welcomed coincidence that I purchased the last ticket for this sold out gig by a complete stranger 30’ before a record store closed for the day. But let’s take things from the beginning. I happened to pass by a record shop in Soho this past dark and cloudy Sunday, when I noticed on the window an announcement stating that in store one could buy ONE last ticket for this gig. Ignoring my certainty that this ticket would have been sold hours ago, I asked the staff and to my surprise it was still available at its face value!
Two hours later, I entered the notorious Heaven for the first time in the eight years I live in London. The space reminded me of my fascination for vaulted underground clubs and soon I was contemplating the closure of a favourite such club near London Bridge station. Respecting the announced stage times, Nisennenmondai appeared on stage and the first sequence of notes and rhythms, put all of us in trance. The playlist by the djs of Quietus had warmed up the atmosphere ideally with excellent choices of tracks, so the band’s music felt like a natural continuation of sounds. (more…)

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The system of concert halls will disappear. The future of live music is house shows (Josef van Wissem, extract from a recent interview)

I always enjoy gigs at Café Oto, which is a favourite place for a lot of people who live close to Dalston. Even though this is a relatively small place, it has built a reputation over the years, by organising performances by alternative artists/musicians. Café Oto has a dedicated crowd that shows great respect towards the musicians and enjoys every gig. Because this is a venue that creates an intimate communication between audience and performer(s) in every gig I have the impression that I have been invited to the musicians’ own house. This time was no exception! This was the first live gig for me for 2015 and what a better way to kickstart a year than with mesmerising melodies. (more…)

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‘War is building itself up slowly in movements believed forgotten…’

3smallLately it is not uncommon for musicians to form their own narrative about the two major conflicts in the history of mankind. The task of reducing such a complex fact as a war to a few comprehensible and abstract ideas might seem like something easy to achieve. In fact, noise bands have already done this using their own often controversial way. However, when someone approaches this subject more wisely, showing a sincere interest for all the aspects of the subject as well as respect for the victims, then usually the result has a different quality. Zbigniew Preisner (i.e. ‘Diaries of Hope’), Max Richter (i.e. ‘Sarajevo’) and now Einstürzende Neubauten, are the musicians which, have interpreted interestingly and clearly, through music, such violent and shameful conflicts in the history of mankind
First of all I have a problem with the term avant-garde because it’s military term, It means the guard that runs before the rest of the soldiers and if I want to see myself represented in military terms I don’t want to be part of that. I want to be one of the deserters. I want to be in the woods maybe…(extract from an interview given by Blixa Bargeld to Andrew Lloyd Hughes of the University of Copenhagen)
Neubauten were commissioned by the authorities of Flandres to produce a music performance in order to commemorate the centenary of the beginning of WWI (this is quite unorthodox as commonly it is the end of wars that is celebrated not their beginning). This album was released a few days before the anniversary from the last battle of WWI and the band appeared live in the almost packed Koko, in London, 8 days later. Blixa Bargeld has openly admitted that he didn’t intend on been preoccupied with any of the wars and that he viewed this project mostly as a job that needed to be done. There was no support band but given the subject of ‘Lament’ and taking into consideration that this album is a complete music and theatrical performance, the presence of a support band would be a paradox. Unfortunately there was no dedicated dj for the evening and this didn’t help warm up the atmosphere during the two hours that we had been waiting for the band to appear on stage.

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Blaue Rosenbox

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A mini festival that had the cosiness of an intimate concert among friends

This was an evening that started by attending an open rehearsal of New Movement Collective at the recently RIBA awarded Rambert Dance School at Southbank. Having left from this FOTF1insightful event on time for the solo of Lloyd James I arrived at Surya, on time for Fear Of The Forest for reasons that were beyond my control. It was the first time that I was listening to Fear Of The Forest live and having been recently introduced to their music, I expected to listen to something similar to Louisa John Kroll. The final result meant to prove me wrong as the band’s positioning on stage, gave off a rather traditional feel. Coming from FOTF3Greece, the image of rebetiko bands is very strong in me, with members sitting next to each other forming a line or half a circle which opens to the audience. Fear Of The Forest had a very similar visual effect. The music, the positioning of Kate Arnold, her style and her voice, were the elements that differentiated this band from the almost old fashioned rebetiko bands of the 1950s. Jon Clayton, Nick Bieber,Chris Silvey and Mark Stefanicki,using a lot of instruments (cello, violin, dulcimer, daf) including some unusual ones (i.e. hurdy gurdy which is associated with the music traditions of Western Europe and Middle East) Fear Of The Forest played songs with soothing melodies and created a warm atmosphere that captured everyone’s attention. These melodies had elements from the music of Epirus and Crete in Greece, enriched with ethereal vocals.We listened to ‘Ordinary Man’, ‘Ruler Of Destiny, Thou Hast Spoken Words’, ‘Charlotte Anne (Julian Cope)’ before the setlist closed with a song that, sadly, referred to the singer’s own family and was called ‘Family ‘. This band’s appearance was registered with me as a very warm storytelling experience with music and I’ m looking forward to seeing them again in the near future.

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Songs are many headed hydras and everytime one of their ‘faces’ is cut off, another one takes its place so that another aspect of the lyrics can be revealed and stressed…

Lloyd JamesStarting at 8.30pm as it was announced, Lloyd James included 10 songs in his set list.10 hydras presented different faces compared to the recent live at Electrowerkz where Naevus as a full band, supported Kirlian Camera. This time, the set was acoustic so naturally the rhythms and the energy were lower permitting the audience to focus more on the lyrics than the performance itself. After ‘Frozen‘ and ‘Idiots(Let Me In)‘ the audience was totally absorbed by the atmosphere, almost hypnotized, but engaged in the performance. Lloyd James seemed to have intentionally removed all the passionate and dynamic elements from his singing in favour of a more detached performance. During the previous full band live at Electrowerkz, each word seemed to be dramatically significant at a perslloyd5onal level for Lloyd James.This time the lyrics were performed with a different energy, almost as if they were narrated to us by somebody who was completely detached from their meaning.This created a different setting for their listening and I personally  didn’t realise how it was that I found myself feeling  as if I was at a dead end in a seemingly suffocating environment…

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