Logo interview

There are not many bands out there who have embarked on a difficult journey of discovery by following their instinct and transcending the classical music form. Camerata Mediolanense is one of these few precious bands whose career we have followed for decades and who continue to make any space vibrate under the power of their rhythms and vocals. We had a unique chance to speak with Elena, Carmen, Gianfranco, and Manuel minutes after a memorable gig at Kirchenruine Wachau at the Wave Gotik Treffen this year. We would like to thank them again for giving us some of their time and for having great humour (it is so rare these days!).

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ANOHNI and The Johnsons live at the Barbican
…or else ANOHNI – transformed, transcendent, and risen like a phoenix – conjures up the spirit of the Johnsons and offers a career best performance at the Barbican.

I’ll try to put into words something of the energy we all felt coming from the stage last night that made us wiser, enlightened – and a bit sadder.

ANOHNI and The Johnsons live 2024By now, those familiar with the career of ANOHNI – but also those who experienced her music for the first time last night – know that soul, jazz, rock, and psych come out of her as something with a very different potency than previously experienced. Having followed her career since the early 2000s and having seen her three times throughout the years in key moments of this career, I can admit with some certainty that yesterday’s performance was the best of all. It was the first time ANOHNI talked so comfortably about her collaborators and their lives, and the first time that I felt she was addressing each of us individually with a nonchalance and a warmth that can only come when someone is feeling content and at ease without the need to entertain just for the hell of it.

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An evening of haunting tales from a count, a witch and a siren

We’ve gone down the steps to the basement of Aces& Eights countless times but the vibe that was generated that night, a few days ago cast a dark veil over the space and made it feel much darker than usual. From the first second, the feeling was that of stepping into a post-ceremonial macabre celebration. The intimate arrangement of tables and chairs set the tone for something austere and measured, requiring a composed ‘aristocratic’ behaviour. At that moment, we had the feeling that we were not just attening a gig but that rather, we had been summoned there.

A waltz macabre loupe came from the speakers, playing games with our concentration, creating a sonic labyrinth whose exit was only visible once Down From Above appeared on stage.

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Logo interviewThe dark alternative music scene has had a myriad of new bands emerge during the last decade but very few have stuck around. Even fewer have consistently released interesting and genre-bending music. Bestial Mouths started in 2009 and hit our radar a few years later after the release of ‘Hissing Veil’. 14 years later, they are one of the most visually and sonically interesting bands to follow, not only because they defy any categorisation but because the quality of their releases is quite remarkable every single time.

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I can’t really trace my journey between The 100 Club and the conjunction of four tree trunks in an ancient wood in North London, but this is where I chose to start writing this review. It might have something to do with the fact that it’s been three years since I found myself in this mindset again, almost as long as it has been since I was last in The 100 Club.

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This is the second part of our interview with the band ATARAXIA. You can read the first part of this interview here.

Blauerosen: I find the connection you have made at so many levels (aesthetics, subject matter of the album) between the four stages of magnus opus and the four elements fascinating. I find it enlightening that you talk about this album as the journey of a hero through the four elements. I sense that the word ‘hero’ is not accidental. Can you expand a little bit about how you perceive all this?

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Logo interviewATARAXIA, an all-time favourite band of ours from the neoclassical/ethereal spectrum of the dark alternative scene, released a beautiful album towards the end of 2022. This album featured in our playlist of favourite albums of September 2023, as we loved everything about it. The visuals and the video press release intrigued us further at a deeper spiritual level so, naturally, we wanted to catch up with the band and learn more about how they are and what inspired them this time. In this interview we talk about their inspiration, their collaboration with Insetti Xilografi, the role of nature and of memory in triggering moments of inspiration and much more. This interview is published in two parts.

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Logo interview I would rather be a witch“- Nick Carlisle

We were delighted to carry out an interview with the talented Nick Carlisle two years after our previous interview with Katy and Nick. This time, Nick is talking about his new score to celebrate the centenary of the unique movie Haxan. The film, originally created in 1922, tries to make sense of witch trials and witchcraft in general. A second version of it, with different music and with voice over from William Burroughs, was produced in 1968. In 2022, the film was presented live at Queen’s Film Theatre in Belfast as part of the BFI’s ‘In Dreams Are Monsters’ season of horror films, with new score composed by Nick Carlisle.

Naturally we wanted to know all about the process of composing music for this hybrid genre of movie but there was also talk about ghosts and monsters. You can watch the interview below and you can buy the album here.


Blaue Rosen box

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Misfortunes can act as driving forces to pursue something better or to drag you down with them. I like that contradiction.”

Logo interviewIt is quite hard to describe the feeling of coming across a band that reminds you of the qualities you value so much in music and which are somehow, lately, been set a little bit aside but most bands. This was the feeling since we came across the latest release by Misfortunes entitled ‘Brilliant Endings‘. This is a band that shines bright in the gloomy synthwave sonic universe. In fact, we were so touched by the melancholic melodies and the poetic lyrics that it became imperative that we talked with the musician behind this brilliant project, Ioakim Vasiliadis.We talked about the band’s beginning, the songs, the collaborators and the future. 

 

 

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Dead Space Chamber Music — A sonic trip through dark forests and ancient castles

We have started going back to gigs – yes, with other people around us – no longer restricted to an experience on a screen. As a new situation seems to be developing in which many bands do not include London in the tour schedule, we are delighted to turn up in person to those who do to demonstrate our gratitude to bands whose creative work deserves more than a device.


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