
Blaue Rosen ![]()
The month after Wave Gotik Treffen is always one that perceives music under the prism of the festival. Our favourite albums and releases of June 2024 helped us make a trip into a mysterious landscape, still full of the darkness of the colder months. Our soundtrack of the month forms an IDM, post punk, dreamy, hazy and neoclassical path full with twists and turns and a lot of sonic texture.
We were delighted for the return of Camerata Mediolanense (which we had the pleasure of interviewing) with their album ‘Atalanta Fugiens‘ inspired by an enigmatic book written around 1617 by Michael Maier. The album fits well within the band’s discography and has subjects that place it in the heart of modern discourse around change and transformation at many levels. The return of The Revolutionary Army of The Infant Jesus with their new album ‘The Dream We Carry‘ after four years was both unexpected and truly exciting!
We were also pumped by the new album of Bleib Modern, a post-punk/darkwave band whose career we have followed since its beginning. Their self-titled album is the best of their career so far and you will probably find that you will enjoy it from start to finish without any interruptions. Talking about an album that one can listen on repeat from start to finish, I am sure that those out there who appreciate dystopian punk, deathrock and krautrock will agree with us for featuring Allarme‘s self-titled album in this soundtrack. The addition of a ‘dancing’ saxophone adds an air of dystopian cabaret atmosphere to the whole experience too.
WHOLE‘s ‘Hydra‘ and ‘Mesmerism‘ by Lucid Dreams, were two special releases for different reasons. The former because unlike most of Blackjack Illuminist Records releases, this one explores more prominent punk paths and creates a hybrid result where darkwave and post-punk give way to rather vindictive punk. Lucid Dreams on the other hand, combine a very evocative/dystopian cover with a free jazz/idm/experimental sonic environment, which manages to transfer the listener to an environment where excitement for decay and imminent danger prevails!
A special mention is due to the return of Anathema’s Vincent Cavanagh with a new project called The Radicant. We read that the name of the project relates to the word “radicant” which describes organisms that create their roots gradually as they advance, allowing species to mobilise, adapt and grow on any surface. The name also relates to the way Vincent perceives his journey into music and composition and his experiments with creating compositions for visual art/tech. The Radicant release their debut single in June and we expect the full length album in the following months.
Finally, we cannot express our happiness after the announcement of an upcoming release by Chrystabell and David Lynch – offering to us their captivating dreamy, ethereal wickedness that has enveloped David Lynch’s films in the past – a disquieting aura that is hard to ignore. The first single from this release is entitled ‘Sublime Eternal Love‘.
We hope you enjoy listening to our playlist as much as we enjoyed creating it!
We listened to 70 independent/underground releases during October 2023, and we were stunned by the debut singles/EP/albums during this month. 26 of these 70 releases form this monthly playlist and let us admit that there have been a few disappointing releases that did not make it despite our biased convictions that they would.
There are some big highlights here and I am not just referring to the customary October release by Nox Arcana who once again gave us a haunting gothic sonata to get us through Spooktober! Oliver Marson, whose intriguing stage presence we enjoyed recently at the 100 Club, released a very memorable, new wave, synthwave album entitled ‘Why Did I Choose This?‘. The overall sound of this album brings to mind equally the Psychedelic Furs and Japan and the melodies are addictive beyond belief. The lyrics also share some Bukowski qualities and are quite poetic and pop at the same time.
This is the second part of our interview with the band ATARAXIA. You can read the first part of this interview here.
Blauerosen: I find the connection you have made at so many levels (aesthetics, subject matter of the album) between the four stages of magnus opus and the four elements fascinating. I find it enlightening that you talk about this album as the journey of a hero through the four elements. I sense that the word ‘hero’ is not accidental. Can you expand a little bit about how you perceive all this?