April was the month with the biggest number of releases so far in 2023. The 66 releases we listened to during this month covered everything from dream pop to existential symphonic metal, and for that reason it represents almost all the moods that we went through the last month. Our favourite albums of the month reflect this incredible mix of music that talented people created for us from around the world.
There was a palpable darkness all around us in March, which somehow, all our favourite releases of the month, have managed to channel through their sound.
The soundtrack of this month, will take you on a dark experimental journey, pass you through industrial sonic spaces with incredible texture, electronic and synth brilliance and land you on ethereal otherworldly worlds. The trip promises to be poetic, ritualistic and reflective with a few moments of uneasiness.
There were many highlights during this month, and the first one was the return of Depeche Mode with their darkest, most solemn and more gothic album to date. Having teased us with a great video accompanying their best song of the album ‘Ghosts Again‘, Depeche Mode unleashed a darkness that seemed to have been nicely disguised up to now. The band’s life much like everyone else’s has been affected by everything that the world has gone through in the last few years but also by the unexpected loss of Andy Fletcher, the co-founder and keyboardist of Depeche Mode. Their last album ‘Memento Mori’ does not hold the melancholy back, it doesn’t prettify any verse and it is not here to make us feel happy. All this is evident from the slower, darker rhythms and the sadness in the lyrics that traverse this whole album. There is bitterness, there is sadness about the loss of their bandmate, and there is still some jauntiness here and there. Similarly strong, was the new album by Fever Ray ‘Radical Romantics’. Six years after their latest studio album ‘Plunge’, the band’s new album is more haunting than ever. Like Depeche Mode, Fever Ray have embraced the darkest corners of the human mind as far as their lyrics are concerned but have also added tribal, minimal and dance elements in their rhythms, making this album much more interesting this time.
As far as the post-punk part of this monthly soundtrack is concerned, De Ambassade‘s sophomore album was a true revelation. Blending the boundaries between poetry and early industrial music, ‘The Fool’ is a cinematic album that made us wonder where is the movie and/or book that it accompanies? Using Flemish, German and English in their lyrics, mixing vocals and other samples in attractive ways, De Ambassade have been inspired by John Cage but also from new wave and horror folk cinema I dare to assume, judging from the overall atmosphere of this album. One has to admire the air of mystery that this album creates and envelops us with.
Finally, the new offerings by Fatima Al Qadiri and Alan Currall also need some special mention. The former, is an EP that blends eastern music rhythms and vocals with some deeply ceremonial and dark music. The vocals are layered and texturised throughout and their repetitive nature increases the reflective element of the sound before the notes add an air of disquiet in the atmosphere. We don’t often see such level of experimentation with eastern music and for that reason we felt this EP deserved a good place in our soundtrack. ‘Buried Structures’ the latest album by Alan Currall is the only release that got us on our feet and allowed us to breathe without worrying too much. Moments of electro/synth brilliance take inspiration from the house and techno scenes and create the only album that we can dance to!
You can browse the rest of our playlist in order to find out, self-released singles and EPs by new and well-established bands.
We won’t tire you more but we do hope that if you like any of these releases as much as we did, you will not think twice about supporting the bands!
February was definitely a better month in some ways, and its music releases are testament to the different energy that it brought about. We listened to 58 independent and underground albums, EPs and singles and we created the soundtrack of the month that took us on an electro/industrial, punk, darkwave, synthwave, post-punk trip which had neoclassical and black metal moments of brilliance as well.
This is the playlist that prepares for the end of the year — the soundtrack of a journey through an abandoned fairground where everything is left in a state of limbo. Our favourite albums of this month include the dynamic return of Pecadores, a cult band from Brazil, 11 years after the release of their previous album. This time they have been haunted again and have come back with their incredible mix of industrial rhythms that sometimes nod to Wumpscut and tribal percussion that bring the mind to tribal ceremonies. A special mention in due to the fantastic releases of ant-zen by vromb, thorofon and 2kilos&more who created an addictive IDM/noise/industrial symphony that kept us on edge for most of the month! TEATRE‘s album ‘Metropolis’ added to the captivating sonic mix with notes of downtempo and dark techno.
If a path cannot be fathomed nor designed, then sound shall carve one out of nothingness. We might not ‘curse’ anyone this time, but our favourite songs celebrate both the realms of death and those of a pastoral nature with equal passion.
The acceptance of a condition described by the word ‘bizarre’ must come when enveloped by a sinister soundscape. The dreamy state that ensues after such an acceptance should have elements of hypnotic psychedelia. You must listen to this playlist for two reasons: it contains an ancient curse set to music and one of the strangest, more obscure and obscene releases of the year so far. We are of course referring to the new album ‘Drift‘ by Heilung and the crazy release entitled ‘BORDELLOBUIO‘ by BAMBOLABUIO.

We have been seeking spiritual solace through the new music we have been listening to throughout this month. It was such a relief that, during our journey we came across the latest dreamy sonic tale by Edward Ka-Spel and Patrick Q.Wright! We might not have found anything but disquiet along the way, we might have felt nothing less than an urge to delve into deeper and darker spiritual labyrinths, but we enjoyed the trip very much. You can expect heartbreaking dark folk sonic tales, describing powerful everyday feelings and situations that would feel anybody feel powerless. At the same time, textured, IDM and industrial soundscapes fill the atmosphere with a ‘heaviness’ that is only being alleviated by the power of the synthesizer, ever so present in our favourite post-punk releases. At the end of the day you need to ask yourselves:
Are sonic ceremonies enabling or disturbing your psychic processes? What were you doing on the day the night forgot to visit?
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