On an otherwise normal weekday evening, we gathered at this intimate theatre in Athens in order to listen to the new sonic offering by OTHON and Owen Pratt. Little did we know, that what we were about to witness would be a sort of personal procession through sound that both musicians would be creating for all of us.
““A poet is a nightingale who sits in darkness and sings to cheer its own solitude with sweet sounds.”
-Percy Bysshe Shelley
October was one of the most inspiring months of this year in terms of its independent music output, not only because Stephen Mallinder has released his first solo album for 37 years, but also because SWANS have ‘broken’ their self imposed hiatus. In October we also had the chance to enjoy some great debut releases by new bands showing a strong DIY element. If this monthly playlist was a person, they would be a kooky, abrasive and gothic looking one.
“If I do something that depresses, it’s because political life and history is depressing”-Anselm Kiefer
August tends to be a ‘quiet’ month in terms of album releases as the attention is focused on outdoor festivals around the world. There have been instances where we have welcomed very powerful albums during August in the past and this year was no exception. If there is one word that could summarize the effect of all these albums, then this word would be ‘raw’. There was nothing ‘delicate’, gentle or calming about the music that we loved and which formed the soundtrack of the previous month and below you can find out why.
First of all New Model Army‘s new album ‘From Here‘ has brought with it, the sonic heaviness with
which they have ‘hit’ us with, in ‘Between Dog & Wolf’, a fascination with nature, a poetic, existential, introverted sincerity and political comments dressed in captivating metaphors and humour. Because of the fierceness and unapologetic manner with which the subjects of this album, have been communicated, we consider it to be the ‘guide’ of this whole soundtrack. Read more about what we loved in the heavy sound of this album here.
“Punk rock will never die, until something more dangerous replaces it”-Jello Biafra
July (!) is not typically a very dynamic month in terms of both album releases and gigs. It is a month during which a lot of festivals are being carried out worldwide,
offering the chance to enjoy the releases of the previous months. One could argue that the soundtrack of the month should always be just the sound of the cheers of the crowds who enjoy outdoor festivals. This month’s independent music releases create quite a melancholic and dark atmosphere that sometimes feels impenetrable and other times otherworldly and menacing. We have listened to 55 albums and we picked those ones that had the strongest impact on us. This time, they can take you to a coldwave, deathrock, experimental, industrial, synthpop, garage rock, IDM, dream pop sonic trip. Enjoy it here:

Thom Yorke, is the ultimate guide of this soundtrack, as he has unveiled the next chapter of his solo work, entitled ‘Anima‘. This album is the epitome of experimentation into sonic abstraction and minimalism and thus it creates the perfect artistic portal for us to enjoy all the other albums that have been included in this month’s soundtrack. Its title and perhaps its whole style has been inspired by Carl Jung’s concept of ‘Animus and Anima’ which is part of his theory about the collective unconscious. Anima, according to Carl Jung was the unconscious feminine side of a man who, like animus, transcends the personal psyche. The album’s title, as Thom Yorke has explained is also a critique of the way technology has allowed us to be distanced from the things we say and do by ‘hiding’ behind an avatar or a digital persona. This album follows the release of ‘Suspiria’ in 2018, an album that was used as a soundtrack to Luca Guadagnino’ s film of the same title, that was inspired by Dario Argento’s 1977 film of the same title. ‘Anima‘ is also the soundtrack of a musical film directed by Paul Anderson. Thom Yorke performs the songs and stars in the film, while the music is multidimensional with a deep, reverberating sound. Listening to this album feels as if reading a book with many chapters; each track has a different energy and a different performing style and Thom Yorke’s signature timbre, is making sure that we are kept in a dreamy, almost hallucinatory state where the sound of the voice is echoing and the meaning of the words is unclear. Thom Yorke has said that ‘…if you don’t dream enough, you don’t process enough…‘ and this cannot describe better, the effect his music and his performing style have been having throughout his career but especially through this new album. As far as ‘Anima’ is concerned, in a recent interview he has said that: ‘…on a musical and technical level i was deliberately trying to find something as ‘cold’ as possible to go with it…‘ while its sound, has been inspired by styles that challenge the traditional songwriting ways, such as noise and music concrete.
It was during the ‘quietest’ part of this summer that the ‘loudest’ event happened at an old tavern in Greenwich, The Trafalgar Tavern: John Lee Bird’s exhibition ‘One small step at a time‘ accompanied by live music from MADAM. The Trafalgar Tavern opened in 1837 and served as a home for seamen during WWI and as a working men’s club between the wars. The gig by MADAM, was the second part of what seems to be an ongoing collaboration between John Lee Bird and other artists having as a starting point his exhibition of 365 portraits (one for each day of the year), entitled ‘One small step at a time’. But let’s take things from the beginning.
Hopelessness, an uneasy feeling transformed to an artistically attractive spectacle…or how I made up my mind about ANOHNI’s album
I have never felt so tormentingly undecided about an album before. Despite the fact that the powerful album’s title attempted to set my mood before I even had the chance to listen to it properly for the first time, this title was not the reason for my indecisiveness. After the album’s title, it was the cover with its distorted image of ANOHNI and the titles of the songs which, like the many heads of a hydra, attempted to monopolize my attention. Both the cover and the titles of the songs are in agreement with the album’s subjects and especially the titles of the songs are evidently
darker than all the titles of songs that Antony Hegharty a.k.a ANOHNI had previously released. Finally it was the lyrics of the songs which tried to capture my undivided attention as they are filled with ideas and thoughts with most of which I could not agree more. The album’s essence was not hidden amongst these different aspects and this only became crystal clear after I had finished listening to this album for the fourth time. It was by then, that individual verses from the lyrics of some songs were imprinted on my mind and that my favourite song from the album ‘Obama’ had a very strong impact on my mood, not only because it feels like a mantra but because its overall atmosphere has elements that surpass its subject in so many ways! Somehow it had become obvious from the delivery of the lyrics, that ANOHNI’s voice was one more instrument and the aim was to articulate both the lyrics and the emotional awe that was provoked by the subjects of these lyrics. This album is so much more than a passionate performance of a few verses and the more I listened to it the more I realized that even though ANOHNI was actually singing, she was at the same time conveying a message at its purest possible form…Nevertheless, I still could not determine whether I actually liked the music. Indeed, the music in ‘Hopelessness’ is miles away from that of ‘I Am A Bird Now’ and ‘The Crying Light’ but the voice is still the same except this time, the stories she sings about, are much more sinister. If Antony’s voice in ‘You Are My Sister’, ‘Cripple And The Starfish’ and ‘Twilight’ had the qualities of a caress, we could confidently say that in ‘Hopelessness’ this voice and its mood incorporate the violence of a whip.
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