Posts Tagged ‘industrial albums 2019’

Monthly Playlist-Favourite albums November 2019

Posted: 20th December 2019 by blaue-rosen in Music News,press releases
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Monthly Playlist-Favourite albums October 2019

Posted: 13th November 2019 by blaue-rosen in Music News,press releases
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“A poet is a nightingale who sits in darkness and sings to cheer its own solitude with sweet sounds.”
-Percy Bysshe Shelley

October was one of the most inspiring months of this year in terms of its independent music output, not only because Stephen Mallinder has released his first solo album for 37 years, but also because SWANS have ‘broken’ their self imposed hiatus. In October we also had the chance to enjoy some great debut releases by new bands showing a strong DIY element. If this monthly playlist was a person, they would be a kooky, abrasive and gothic looking one.


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Monthly Playlist-Favourite Albums June 2019

Posted: 11th July 2019 by blaue-rosen in Music News,press releases
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“We cannot solve our problems with the same thinking we used when we created them”-Albert Einstein

 

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June was a particularly interesting month in terms of its album releases, the most favourite of which, make a journey from ethereal folk towards doom post-rock.

During this month, I found myself delving more into the condition of ‘post‘ both in music and in art in general. It was actually a definition of ‘the post’, that was provided in one of the numerous student projects at the Architectural Association, combined with a memorable variété/architectural event inside the Hippodrome Casino about post-modern architecture, that enlightened me in such a way that I can now ‘see’ post music with new eyes.


One of the multiple definitions was: ‘A post is a position or a state that defines where or how something or someone has to be, as it was meant to be’. Another one said ‘…a post is a node, a meeting point, a gathering spot. A post is where people converge towards…’.

The releases of Band of Holy Joy, The Membranes, Red Velvet Deception, Vlimmer, The Man&His Failures, BLVCK CEILING, Death’s Head, VOID//GIST, Constant Mongrel, PLAID and Such Beautiful Flowers all tap into different aspects of post music by stressing its ‘heavier’ industrial side, the more emotional coldwave side or even its more vindictive punk side.

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Monthly playlist-Favourite albums May 2019

Posted: 1st July 2019 by blaue-rosen in Music News,press releases
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“In a totally sane society, madness is the only freedom”-J.G Ballard


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logo playlistMay 2019 was a very rich month in terms of the album releases that saw the light of day, and our monthly playlist is reflecting the polyphony and the many sides of sonic experimentation that we encountered in these albums. Clearly, all the musicians have been inspired by different concepts, places, emotions, and worldwide developments and channeled their responses to all these using creativity and the kind of ‘madness’ J.G Ballard is talking about…

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Monthly playlist- Favourite albums April 2019

Posted: 13th May 2019 by blaue-rosen in Music News,press releases
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“Art is restoration.The idea is to repair the damages that are inflicted in life, to make something that is fragmented -which is what fear and anxiety do to a person-into something whole”-Louise Bourgeois


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logo playlistThe soundtrack of April 2019, made up of our favourite releases of the month, is making a trip  that starts in a mind-numbing, spiritually freeing atmosphere and ends in a similar but more lyrical sonic environment. We loved this month’s releases because they included albums whose sound cannot be really described or categorised. We are talking about the albums ‘Kina‘ by MAYa&Tolga Baklacioglu and ‘Seven Steps Behind‘ by MANA. In the latter, Daniele Mana has managed to create a sound that achieves an enviable balance between electronic and neoclassical experimentation. Fascinating rhythms which are rich in texture, bring to the foreground instruments that challenge the limitations of their nature and create a kaleidoscopic, disquieting yet ethereal soundscape. It is inspiring to realize that even though the rhythms give the illusion of being static, the flow they encompass is unique and very unusual. After a point, the sound and the atmosphere becomes more mystifying and cryptic compared to the beginning. Sonic snippets of passing choral vocals discreetly ‘interrupt’ the Burton-like atmosphere that is created.

‘Kina’, is differently experimental compared to MANA’s album. Through its seven tracks, you will be guided into a time-altering space filled with distorted techno rhythms, dreamy vocals, industrial textures, tribal percussion and noisy moments. If we were to characterize the sound of this album we would say that it is a sort of ‘deconstructive minimal tribalism’. We read: “It makes total sense that MAYa and Tolga should have made an album together…There is however one unusual element to their collaboration: they have never met. Tolga lives in Eskisehir (Turkey) and MAYa lives in New York City…”. The production of this album is commendable as it provides volume and space to each element of this challenging arrangement so that each one can freely transfer us into its complex dimensions. The vocals, equally multidimensional, are sometimes reduced to expressive hums and other times, they reveal their more ethereal qualities and somehow bind this whole album together.

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