Black Nail Cabaret , were introduced to audiences in 2012 through their self-released debut album ‘Emerald City’. The release of ‘Harry Me Marry Me Bury Me Bite Me’ in 2015 painted a clearer picture of the aesthetic vocabulary that the original duo of Emese Árvai- Illés and Sophie Tarr would use. The band originally consisted of Emese , Sophie and Krisztian Árvai in the role of producer/ songwriter but since July 2016 when Sophie left, BNC are Emese and Krisztian among other collaborators. While the band ‘paints’ their music in dark colours of different tones, ranging from the lightest tones that hark back to the glorious days of german synth pop to the darkest tones of the more existential minimal post-punk, their video clips reveal an equal fascination with the first surrealist movies, grotesque theatre, gothic horror and Italian neorealism. It therefore becomes imperative to notice both the music and the visuals in order to get a grasp of the band’s take on the subjects of their lyrics and their artistic points of view in general.
Tiger Lillies at London Wonderground!
Posted: 5th June 2016 by blaue-rosen in Music News,press releasesTags: The Tiger Lillies live at London Wonderground 2016, The Tiger Lillies live in London 2016
“The spectacle is the nightmare of imprisoned modern society which ultimately expresses nothing more than its desire to sleep. The spectacle is the guardian of sleep.”
? Guy Debord, The Society of the Spectacle
Let us be honest. We love The Tiger Lillies! We believe that they are one of the very few unique, inventive, rabelaisian, contemporary English musicians. There is no other band that is comparable to them in terms of delivering this type of performance and there are very few musicians that incorporate such intense feelings and so many strong words in their lyrics. (more…)
Pavlov’s Dog live in London 2016
Posted: 20th May 2016 by blaue-rosen in Music News,press releasesTags: Pavlov's Dog live at The Underworld London, Pavlov's Dog live in London 2016
The year was 1975 and there appeared a band whose sound cut through the Mississippi blues and the country songs of Missouri, putting keyboards, string instruments and astonishing vocals in the middle of a guitar based music industry. Pavlov’s Dog is a band whose name drew attention to the controversial experiment that helped (?) understand the relationship between a stimulus and the reaction to it. The release of the band’s debut album entitled ‘Pampered Menial’ in 1975 featured at the cover, an almost hypnotized and agitated dog alluding to Ivan Pavlov’s experiment. The vocals and the mind-numbing delivery of the lyrics left a permanent mark on everyone who listened to this album. It is one thing to expect a great debut album from a band but it’s quite another to be hit with the melody of ‘Julia’, the very first track of the debut album and David Skurkamp’s voice which has this admirable and other-worldly tremble! 41 years have passed and this song’ s impact has not lessened. Let’s not forget that 1975 was the middle of the glam rock, progressive rock and punk frenzy. It was the time of early experimentation with electronic music and the period when designing an album’s artwork was equally important and time consuming as recording and producing the music of this album.
Peter Murphy live at O2 Academy Islington
Posted: 12th May 2016 by blaue-rosen in Music News,press releasesTags: Peter Murphy live at O2 Academy Islington, Peter Murphy live in London 2016
Peter Murphy needs no introductions. The voice of the legendary Bauhaus, dubbed ‘Godfather of Goth’, has always released music which has the quality of a very powerful magnet. Especially during his live shows, Peter Murphy reveals his unique and mesmerizing way of creating a different ‘character’ for each song and each story of the lyrics. Whether through powerful facial expressions and very expressive gestures or through these long baritone screams that make you believe that he calls from the other end of the world, Peter Murphy offers a theatrical delivery of every piece of music he has released!
I have been fortunate to have seen Bauhaus perform live at a special one off gig in O2 Brixton Academy and have never missed a single solo show by Peter Murphy in London in the last 8 years. My impression is the same and is only becoming stronger; He never ‘betrays’ the stories of the lyrics and never compromises on the aesthetics of a live show. Maybe the term ‘Godfather of Goth’ is actually true (in a symbolic way) and if it wasn’t, then Peter Murphy wouldn’t have inspired Neil Gaiman and Dave McKean to design the character of Dream based on him, nor would he had inspired the design of Eric’s face on James O’ Barr’s comic book ‘The Crow’.
25th WGT-detailed programme (Part2)
Posted: 7th May 2016 by blaue-rosen in Music News,press releasesTags: 25th Wave Gotik Treffen festival, 25thWGT 2016, 25WGT final line up and programme, WGT Leipzig 2016

- 15.05.16
- Agra
- 17.00 Lord of The Lost
- 18.45 Darkhaus
- 20.10 Diary of Dreams
- 21.55 Lacrimosa
- Altes Landratsamt
- 17.00 Har Belex
- 18.20 Backworld
- 19.50 Rose McDowall
- 21.20 Sunset Wings
- 22.50 Of The Wand And The Moon
- Felsenkeller
- 16.30 Dornenreich
- 18.10 Psilocybe Larvae
- 19.40 Carach Angren
- 21.00 Dark Fortress
- 22.30 My Dying Bride
- Haus Leipzig
- 14.00 Mark Benecke
- 15.45 Thomas Manegold
- 17.15 Saskia Etzold
- 17.15 Veit Etzold
- 19.00 Christian Von Aster
- Heidnisches Dorf
- 11.30 Brigandu
- 11.30 Nachtwindheim + 16.30, 20.30, 22.30
- 12.30 Heydenrausch + 18.30 21.30
- 12.50 Waldträne
- 14.10 Harpyie
- 15.30 Aurelio Voltaire
- 17.00 Gernotshagen
- 18.30 Heidevolk
- 20.00 Trollfest
- 21.40 Kauan
- Kohlrabizirkus
- 16.30 Pride And Fall
- 18.00 Legend
- 19.30 Solar Fake
- 21.00 MESH
- Krystallpalast Varieté
- 14.00 Claudia Gräf
- 14.00 Axel Thielmann
- 14.00 Tilo Augsten
- Moritzbastei
- 20.00 Norvadgr
- 21.00 Endless Asylum
- 22.00 Kommando
- 23.10 Deutsch Nepal
- Schauspielhaus
- 17.30 Peter Yates
- 19.00Valhall
- 20.30 And Also The Trees
- 22.20 The Legendary Pink Dots
- Stadtbad
- 17.00 Blitzmaschine
- 18.20 Amnistia
- 19.40 Signal Aout
- 21.10 Plastic Noise Experience
- 22.40 Orange Sector
- Südriedhof
- 15.30 Männerchor Leipzig Nord
- Taeubchentral
- 16.30 Näo
- 18.00 Somatic Responses
- 19.20 Dirk Ivens
- 20.50 Winterkälte
- 22.20 Esplendor Geometrico
- Veid e.V
- 14.00-15.00 Patenbrigade Wolff (side projects)
- Volkspalast
- 16.00 Winter Severity Index
- 17.05 Jessica 93 (Kantine)
- 18.10 The Blue Angel Lounge
- 19.15 Bestial Mouths (Kantine)
- 20.20 Anna von Hausswolff
- 21.35 Drangsal (Kantine)
- 22.20 I Like Trains

- 16.05.16
- Altes Landratsamt
- 17.00 Christine Plays Viola
- 18.20 Lament
- 19.40 The Mary Onettes
- 21.10 And Also The Trees
- 23.00 Pink Turns Blue
- Agra
- 18.00 Neuroticfish
- 19.35 Velvet Acid Christ
- 21.10 Aesthetic Perfection
- 22.55 Agonoize
- Felsenkeller
- 16.30 Bifröst
- 18.00 Skálmöld
- 19.20 Trollfest
- 20.50 Heidevolk
- 22.20 Korpiklaani
- Haus Leipzig
- 14.00 Mark Benecke
- 15.45 Markus Heitz
- 17.15 Sascha Blach
- 18.45 Alexander Nym
- Heidnisches Dorf
- 11.30 Brigandu
- 11.30 Nachtwindheim +13.30,16.30, 18.30, 21.30
- 12.30 Heydenrausch + 14.30,17.30, 19.30
- 12.50 Waldträne
- 14.10 Harpyie
- 15.30 Kyoll
- 17.00 Versengold
- 18.30 Eric Fish And Friends
- 20.30 Artwork
- 21.50 Coppelius
- Kohlrabizirkus
- 17.00 Schöngeist
- 18.20 Unzucht
- 19.40 Grausame Töchter
- 21.10 Gothminister
- 22.40 Das Ich
- Moritzbastei
- 19.30-20.10 Machinista
- 20.30 One I Cinema
- 21.30 Black Moon Secret
- 22.40 Biomekkanik
- Opera Leipzig
- 15.00 Leipziger Ballet
- Schauspielhaus
- 17.30 Saeldes Sanc & Ernst Horn
- 19.20 The Visit
- 21.00 Sangre de Muerdago
- 21.40 Irfan
- Taeubchentral
- 17.00 The Fright
- 18.20 Banane Metallik
- 19.40 Argyle Goolsby and the Roving Midnight
- 21.10 Balzak
- 22.40 Nekromantix
- Volkspalast
- 16.00 Ancient Methods
- 17.05 Treha Sektori (Kantine)
- 18.00 Tanz Ohne Musik
- 19.05 Te/Dis (Kantine)
- 20.10 Cut Hands
- 21.35 Thorofon
- 22.50 Test Department
25thWGT 2016 -detailed programme (Part 1)
Posted: 7th May 2016 by blaue-rosen in Music News,press releasesTags: 25th Wave Gotik Treffen final programme, 25thWGT Leipzig, WGT2016 detailed programme
This is the detailed programme of the 25th Wave Gotik Treffen for the first two days of the festival
- 13.05.16
Agra Hall- 19.00 Abney Park
- 20.45 FAUN
- 22.30 Nouvelle Vague
- 00.15 Peter Murphy
- Altes Landratsamt
- 17.30 Last Leaf Down
- 18.50 The Underground Youth
- 20.20 Darkher
- 21.50 The Ocean
- Alte Börse
- 16.00 Hubertus Schmidt
- Felsenkeller
- 15.30 Golden Apes
- 16.50 The Angina Pectoris
- 18.20 James Ray Gangwar
- 19.50 The House of Usher
- 21.30 Girls Under Glass
- Kohlrabizirkus
- 16.30 Patenbrigade Wolff
- 18.00 Sexorcist
- 19.10 Ruined Conflict
- 20.30 HAUJOBB
- 22.10 Project Pitchfork
- Moritzbastei
- 20.00 Maschinenkrieger KR52 vs DISRAPTOR
- 21.00 Nullvektor
- 22.00 Supersimmetria
- 23.10 Roger Rotor
- Noells Ballroom
- 20.00 The Aerdt
- Haus Leipzig
- 14.00 Lydia Benecke
- 15.30 Benjamin Schmidt
- 15.30 Marko Kruppe
- 17.00 Christian von Aster
- 18.30 Luci Van Org
- Heidnisches Dorf
- 11.30 Walkauz + 14.10
- 11.30 Vielle (+ 12.50, 18.30, 21.30, 23.30)
- 12.30 Donner & Doria +(16.30,20.30, 22.30)
- 15.30 Fuchsteufelswild
- 16.50 Árnica
- 18.30 Krayenzeit
- 19.50 Cultus Ferox
- 21.30 Leaves’ Eyes
- Schauspielhaus
- 18.00 Angelic Foe
- 19.30 Kirsten Morrison
- 21.00 Kari Rueslåtten
- 22.40 The Deadfly Ensemble
- Stadtbad
- 17.30 XTR Human
- 18.40 Hearts of Black Science
- 20.10 HANTE
- 21.40 Henric De La Cour
- Volkspalast
- 17.00 Triarii
- 18.15 The Protagonist(Kantine)
- 19.30 Dernière Volonté
- 20.55 Vril Jäger(Kantine)
- 22.00 In The Nursery
- 14.05.16

- Agra Hall
- 18.00 Spetsnaz
- 19.45 Portion Control
- 21.30 Leather Strip
- 23.15 Die Krupps
- Altes Landratsamt
- 17.00 Kuroshio
- 18.20 Chainreactor
- 19.40 Reaper
- 21.10 Sonar
- 22.40 Siechtum
- Felsenkeller
- 16.30 Diodati
- 17.50 Meinhard
- 19.20 Schwarzer Engel
- 19.50 The House Of Usher
- 20.50-22.10 Other Day
- 22.30 Joachim Witt
- Haus Leipzig
- 14.00 Mark Benecke
- 15.45 Christian von Aster
- 17.15 Lex Wohnhaas
- 18.45 Lydia Benecke
- Heidnisches Dorf
- 11.00 Vielle+18.30, 20.30, 22.30
- 11.30 Waldkauz
- 12.30 Donner &Doria + 19.30, 21.30, 23.30
- 12.50 Fuchsteufelswild
- 14.10 Árnica
- 15.50 Irdorath + 20.40
- 19.00 Rose McDowall
- 22.20 Estampie
- Kohlrabizirkus
- 18.20 Autumnal
- 19.50 Swallow The Sun
- 21.20 Crematory
- 22.50 Enslaved
- Krystallpalast Varieté
- 13.00 Clemens-Peter Wachenschwarz
- Moritzbastei
- 20.00 Die Wilde Jagd
- 21.00 Destin Fragile
- 22.00 Ultranoire
- 23.10 Culture Kultür
- Opera Leipzig
- 18.00 Gewandhausorchester
- Schauspielhaus
- 17.30 In The Nursery (Film performance)
- 19.10 Rosarubea
- 20.50 Dornenreich
- 22.30 Amber Asylum
- Stadtbad
- 17.00 Cult Club
- 18.20 We Are Temporary
- 19.40 Selofan
- 21.20 Position Parallèle
- 22.40 Xeno&Oaklander
- Taeubchentral
- 16.30 Sigue Sigue Sputnik
- 18.00 Christ vs Warhol
- 19.30 Lene Lovich
- 21.00 Tragic Black
- 22.30 Cinema Strange
- Thomaskirche
- 19.00 Capella Fidicinia
Stereogram Recordings- An Introduction (part 2)
Posted: 14th April 2016 by blaue-rosen in Music News,press releasesTags: James King and the Lonewolves, Lola In Slacks, Milton Star, Roy Moller, St Christopher Medal, Stereogram Recordings
James King And The Lonewolves
Of all the existing bands of Stereogram, I believe that James King And The Lonewolves a.k.a James King (vocals/guitar), Jake Mason (guitar/vocals), Joe Sullivan (guitar), Nick Clark (bass), Corey Little ( drums), is the one that has more evident rock ‘n roll influences in terms of riffs and atmosphere. Formed in 1981 in Glasgow, the band’s name is a tribute to ‘Hank Williams With His Drifting Cowboys’ and occurred after the previous name of the band ‘Death Trip’ (a tribute to a Stooge’s song) was abandoned. James King and The Lonewolves have released three singles ‘I Tried/So Alone’, ‘Texas Lullaby’ and ‘The Angels Know’ in 1981, 1983 and 1985 respectively. James King and The Lonewolves have also supported Nico in Glasgow in November 1981. Theatricality in the live performances and passion, are the strongest elements in the delivery of the lyrics and by listening carefully to this band’s songs I perceived them more and more as a cross between Iggy Pop and Marianne Faithfull. Having recovered from a break in communication that lasted 25 years, James King and Jake McKechan released the singles ‘Pretty Blues Eyes/ Fun Patrol’ while the older album entitled ‘Lost Songs of the Confederacy’ that was recorded with John Cale was remastered and has been released through Stereogram Recordings.
Stereogram Recordings- An introduction
Posted: 14th April 2016 by blaue-rosen in Music News,press releasesTags: Band of Holy Joy, New Leaf, Stereogram Recordings, The Cathode Ray, The Fabulous Artisans, The sound of Stereogram
Have you ever wondered what (if anything) do Greenwich Village, New York in the 1970s, the soundtracks of Tarantino’s films, Andy Warhol’s sources of inspiration and America’s and Great Britain’s ‘60s and 70’s music scenes have in common? One of the many answers, should be Stereogram Recordings. And just before your imagination starts to race let me say that there are many ‘umbrella’ labels in the indie genre and very few manage to unveil a true character through the artists they represent. Most record labels in the indie genre share a love and passion for music, yet it is evident that not all of them manage to avoid representing a very specific sub-genre of a very specific style. Stereogram Recordings is one of the labels that we have been following for a while now and we have noticed that Jeremy Thoms, the founder of the label seems to have found not one, but many complementary denominators in the music of the bands that are represented in the label. Since the internet era has cast a heavy shadow to both the independent and the mainstream scene it’s all about how much one adheres to the idea that ‘God is in the details’ that differentiates one ‘umbrella’ label from the other. I think that Jeremy Thoms keeps an eye on the ‘big picture’ that the sound of Stereogram likes to draw, a picture of 1000 pieces created on the axes that the music scenes of some parts of America and some parts of Great Britain were developed.
Based in Edinburgh, Stereogram Recordings has so far released the albums of 9 bands, none of which fits in any of the once clearly defined music genres. The bands by descending order of number of releases are: Band of Holy Joy, James King and The Lonewolves, Roy Moller, The Cathode Ray, The Fabulous Artisans, New Leaf, Milton Star, Lola in Slacks, St Christopher Medal. Some of these bands might even be inspired by the same musician yet none delivers a similar or even comparable result. There is one thing that one has no doubt about, the passion for music and the commitment of musicians to release music of such a quality that nothing less than our full attention can grasp it. None of Stereogram’s bands play ‘easy to digest’ music and none of the musicians rely on simplistic melodies or ideas. This is apparent in all of the lyrics of all of their songs and can also be noticed through the multitude of social, artistic references that are being made in their videos.
Should it be ignored that Jeremy Thoms (The Cathode Ray, New Leaf, The Fabulous Artisans), Johny Brown (Band Of Holy Joy) and Roy Moller, all consider that music, spoken word, theatre and the space in between are inseparable elements ? I don’t think so. In different ways and intensities, these three musicians have incorporated both the theatrical and the surreal aspect of poetry in their performances throughout the years and this is another strong element in the sound of Stereogram.
News from The Cult
Posted: 23rd February 2016 by blaue-rosen in Music News,press releasesTags: The Cult Hidden City 2016, The Cult new album 2016
The Cult announce new album and live gig in London!
Album title: Hidden City
Release Date: February, 5, 2016
Cooking Vinyl
Tracklist: 1. Dark Energy/2.No Love Lost/3. Dance The Night/4.In Blood/5.Birds Of Paradise/6. Hinterland/7. GOAT/8. Deeply Ordered Chaos/9. Avalanche Of Light/10. Lillies/11.Heathens/12. Sound And Fury
The Cult were formed in Bradford in 1983 under the name Southern Death Cult. The significance of the name of the band was twofold: In one part, it was a reference to the term ‘Southeastern ceremonial complex’ that was used to encapsulate stylistic similarities that were found in different cultural aspects of the Mississipi area between 1200-1650. At the same time, ‘Southern Death Cult’ was a way to criticize the fact that London was (and still is), the city where most cultural and economic activities were being concentrated. ‘Southern Death Cult’ was eventually shortened to ‘Death Cult’ and then to the simpler ‘The Cult’ and this has been the name under which we have known the band for many years.

















