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Dance is music in another form and vice versa. Music can help you visualize things but is not necessarily an image in another form. Dance is also text and ideas in another form, as is music. Merce Cunningham, John Cage, Marcel Duchamp and Maya Deren are just a few artists that have touched on these concepts through multimedia experimentation.’Animals of Distinction’ and before them ‘The Holy Body Tattoo’ that originally performed the piece presented at Barbican Centre last week, tap on these same ideas. ‘Monumental’, with live score by post rock, experimental and long time favourite band Godspeed You!Black Emperor created an immersive experience and provided intellectual and emotional triggers for a variety of topics pertaining to everything from dance to political discourse.


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‘An artist wears his work in place of wounds’ (Patti Smith)

June turned out to be mostly a punk month, simply because of all the 60 releases that we listened to and which covered everything from noise/techno to soul, it was the various ‘faces’ of punk that fascinated us the most. So let me tell you why…

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You might have picked up that this week is very rich in terms of gigs. There are many well established bands as well as new projects that will offer memorable shows in different venues around London but we wanted to talk about one in particular in more detail. This is no other, than the special show that Daemonia Nymphe are preparing for us on Saturday 23rd June at the largest venue the band has performed so far in London, the O2 Academy in Islington.

The band has come a long way and is heading towards even greater things by constantly enriching their sound with new elements, new instruments and new ideas. Daemonia Nymphe have started their career in Greece in 1998, having been inspired by the mystery surrounding ancient Greek music and the aesthetics associated with ancient Greek theatre. At the very beginning they revealed their influences from the sound of 4AD and Dead Can Dance in particular, but very quickly they enriched their original sound and the lightness of the ethereal female vocals, with ceremonial male vocals and aesthetically psychedelic elements in the performance, making reference to characters like nymphs, oracles and even witches and demons. Their stage appearance has also evolved and enriched with different and more theatrical elements over the years. This was until the release of their album ‘Psychostasia‘ where the idea for a music/theatre performance materialized. ‘Pyschostastia II:The Ritual‘ was not the first time the band had been involved in theatre but it was the first time they transformed one of their music albums into a play. Daemonia Nymphe have provided live scores in numerous theatrical productions both in London and in Greece.

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Echo and The Bunnymen live at Royal Albert Hall 2018

Posted: 10th June 2018 by blaue-rosen in
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Deconstruction seeks neither to reframe art with some perfect, apt and truthful new frame, nor simply to maintain the illusion of some pure and simple absence of a frame. Rather it shows that the frame is, in a sense, also inside the painting. For the frame is what “produces” the object of art, is what sets it off as an object of art—an aesthetic object…James N.Powell

May 2018, was a month that glorified music experimentation in the most obvious way. Our initial impression that ‘traditional’ music genres are being gradually and creatively deconstructed or reconstructed by the bands these days, was confirmed by the releases of this month.

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It’s heavier and more psychedelic, bit more spacey, more synths, more downtuned guitars. Some of the riffs are a bit more straightforward and it’s got one tune on it that is the most complex rhythmically that we’ve done…(Matt Stevens)

I first became aware of The Fierce And The Dead when I saw them perform live, opening for Evil Blizzard last year.That performance placed the first piece in an invisible ‘puzzle’ which I then started to complete by going back and listening to their very first album entitled ‘If It Carries On Like That I am Moving to Morecambe‘ (what a title!).

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We liked to provoke at the time and we still like to do so now…

Just a few hours before Siglo XX were about to perform live for the first time since 1991, exclusively for the audience of WGT, Blaue Rosen had the enormous pleasure to talk with Klaas (Hoogerwaard) and Antonio (Palermo) about what Siglo XX used to be, what inspired them then, what inspires them now, what matters and what does not. The band gave a memorable headlining show at Felsenkeller that Logo interviewevening, to which the audience responded warmly by dancing from the moment the first note of ‘ Until A Day‘ was heard until the last note of  ‘Dreams Of Pleasure ‘ resonated in the space.This is a band with a humble yet very powerful stage presence, a quality which is difficult to describe and replicate and which derives from the whole philosophy that traverses its existence. Siglo XX has always had an almost noble worldview, which informed the way they composed music and the way they approached art in general.It is extremely rare to meet a band with such a level of self awareness and even though they would probably not accept this, the only thing that can explain the impact their music has had, is talent. We must understand, that not every musician that experiments can produce a result of quality and not every person who is involved in art, is simultaneously concerned to that degree, with the things that happen around the world. 


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Dark Door a.k.a Mario D’Aniello and Federica Velenia, is a band that was formed in Naples and a band that you should know about, because their music is beautiful and their performances are emotionally and visually very strong! They have self-released 4 Logo interviewalbums so far, whose music is more an outlet of their feelings than a desire to create music of a certain style.Inspired by the damned poets, darkness in aesthetics and the darkness in the world, Dark Door give to these elements an attractive musical and visual form. We had the great chance to see them perform live as part of a special Dead&Buried event last month, which was carried out in a suitable venue which does not pose any health and safety risks to an audience and can accommodate the sound requirements for a gig.Everyone had a lot of fun during that gig, everyone was dancing all the time and Blaue Rosen loved this band so much, that we had to talk with them about their influences, the symbolism in their visuals and their sources of inspiration. 


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It is one thing to celebrate a birthday with a gig, it is quite another to simultaneously celebrate the career and all the things an artist has offered us so far and has achieved personally. The purpose of the half day gig that we are about to present, is exactly this. Having as a starting point Johny Brown’s birthday, ‘The Devil Has A Hold On The Land, scheduled for May 27th, will feel like riding a multisensory carousel. The experience will be guided by carefully selected musicians, artists and DJs with many points of reference that will start with folk rock, embrace their improvisational moods, become highly experimental and conceptually intriguing and conclude with the always visually stimulating, loud, melodic, emotionally generous but never betraying its punk character, live performance of Band of Holy Joy. So, clear your day on May 27th because The Devil does indeed have a hold on the land…Without further a do, here are a few words about the participating acts: (more…)

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