Posts Tagged ‘experimental music gigs 2019’

We had been waiting for this gig ever since the debut album of Whispering Sons was released in October 2018. The initial line up for this gig included Ice Baths, the debut album of which we also loved and were looking forward to listen to it live. Ice Baths were not included in the line up after all but this meant that we got to know the music of Ilia Gorovitz instead. Humble and without engaging too much with the people that had already arrived early at The Lexington, Ilia took his place at the Ilia Gorovitz livefront of the stage behind the drums and for the next 30’or so, created an improvised industrial sound which became more dynamic through the live drums that he had incorporated. The set did not have any vocals and Ilia often had to reprogram the pitch of the drums in between songs which became a bit distracting. His debut album entitled ‘The Noble Rot‘ was self released a few days after the gig and it is the first recording of an improvisational set. His EP entitled ‘A Dose of Uncertainty’ also contained recordings of improvisational sets and we had the unique chance to enjoy glimpses from both during this gig. Despite the fact that the sound in this debut album is very ‘dry’, during Ilia’s live set, his sound had much more depth, giving a captivating power to the beats. This is a promising musician and we will definitely have more chances to enjoy his music in the future.

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Let me go to hell, that’s all I ask and go on cursing them there and them look down and hear me, that might take some of the shine off their blissSamuel Beckett

Chaos Theory collage visualsThis gig took place on an ordinary Tuesday when this gig took place and it wasn’t just a great one but one that left its mark on this year’s performances. because it was perfectly organised, it could transcend its expected aims. The story that was narrated through sound in 3 ½ hours was one that was rooted in personal experiences. For the sake of this text, let’s compare this gig to the walk of a character on a path with different surfaces.


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It was an ordinary Tuesday evening, the day after Scott Walker had passed away and we went to Islington Assembly Hall prepared to experience something similar to the last gig of Xiu Xiu. We were spectacularly wrong as this live performance was different in many ways and even more powerful.

The one hour of waiting time until John Bence came on stage passed really quickly as we were lucky enough to enjoy great ‘warm up’ music that JB_1 live photoincluded songs by The Cure, Nico and Bauhaus. This was, by far, the greatest and more fitting (to what would come next) set of songs that we have been able to listen to before a gig. The evening started calmly and in a rather uneventful way, which of course was hugely deceitful for the performative storm that was just about to ‘hit’ us. John Bence appeared and for the first 3-4′ was seating calmly in front of his laptop…


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Blaue Rosen box

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A band ‘guided’ by the light of the European stars-Music that was guided by the energy of consecutive dreams

Experiencing the magic of Scratch Massive’s music live, was on my ‘to do’ list for quite some time now. Maud and Sébastien’s gigs are sold out in France but the duet had never performed live in London before so, we were incredibly happy that our wish to see this band live, came true.

Polygrains a gentle, electronic and experimental opening

Polygrains_1A few minutes later than the announced stage times, Polygrains, a.k.a Dimitris Moschas, a talented singer, songwriter and producer, filled the stage with electronic, synthpop and techno soundscapes. Polygrains has released his new album entitled ‘Future Endeavours‘ in January 2019 and we got a nice glimpse of it during his live set. Dub rhythms enriched with vibrant sonic samples, gave their place seamlessly to synthpop melodies which were, sometimes transformed into funky ones and other times they were dressed with an air of mystery filled with blasts and pulsating sounds. On top of these melodies, the vocals appeared intermittently only to deliver a few verses and add one more dimension to the sound, before giving their place to a new set of sounds and melodies that had a different energy and flow than before. Experimentation, improvisation and a nice rhythmic flow characterized the sound of this solo project that was a great choice as an opening act for Scratch Massive. There were no visuals this time to accompany the set but this only made us focus more on the rhythms. If the music of Polygrains was a painting, it would have been a cubist one, where the image can only be synthesized by acknowledging all the parts and shapes that form it.We noticed and we appreciated the good communication with the audience and we look forward to enjoying Polygrains live again in the future.


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